We've tackled many types of synthesizers during the years. Classic analog-sounding subtractive synthesis, cutting edge additive synthesis, feature-packed wavetable and spectral synthesis, granular sound sculpting, and even physical modelling.
FM synthesis, however, has always been an oddball. It's hard to understand, hard to use, and still hopelessly associated with classic but cheesy 80s sounds. The Yamaha DX7 was perhaps too …